Posts Categorized: Wordlessness

The Solace of Destruction

Three years ago, at the end of the ill-fated summer of 2020, George and I went to our off-grid mountain cabin as we had for so many years. Our cabin was in a little enclave of summer homes perched along a snow-fed river within an Oregon old growth and second growth forest. It was situated a couple of hours from our home in the Willamette Valley.

When we heard about wildfire to the east, we were more concerned about the effects of smoke combined with Covid than we were with fire’s spread. Our Anniversary only a day away, we thought we’d stay one more night, After all, we’d weathered storms there before. Then the local rural fire department stopped by to upgrade our evacuation status to Go. We agreed that this was a most excellent idea. 

As soon as we finished staining the decks.

With the dozen or so other cabin owners gone, the forest had gone strangely silent.

While we were closing up, I looked around for Calvin, our little white designer mutt. I called his name. No response. We searched the woods. Nothing. A few panicked minutes later, I found the little guy quaking and refusing to get out from under our car. I crouched on all fours to pull him into my arms.

That’s when time stopped. I saw myself in an eerie tableau, surrounded by the vertical green uprising of a heavily wooded two-hundred-year-old forest of at least 13 varieties of ancient trees and countless species of animal life, and yet no chipmunks or jays squawked into the vacuum.

At that moment it still didn’t occur to me that any part of what was present all around us could ever be lost. The silence was that deep and that wide, an enormous space filled with a world of peace. I sat quietly, savoring the enormity of the feeling.

Meanwhile, the staining done, we snapped into autopilot, locked up and left, leaving the guestbook of cabin history we always left on the kitchen table for posterity.

A toxic yellow cloud tailgated us for the entire the 85-mile trip back to our hometown. It arrived at our doorstep along with us, having traveled roughly 70 miles an hour. This was the same cloud that broke records for air pollution and later settled around the entire globe.

That day, of course, we didn’t know any of this. All we knew was that the radios on the ground were gone and only a couple of firefighters were fending off destruction of a historic lodge and retreat center. The next couple of days we were part of an informal network, trying to guess from Forest Service maps which of our cabins had gone up in smoke. We guessed and said goodbye to one summer home after another via chats. Months later we finally learned that 69 burned. The mystery of the one that remained has yet to be solved.

It’s been three years since what has come to be called the Labor Day Conflagration of 2020, which drove those faraway fires to burn that entire valley and so many more throughout the West.

I refused to return to the site of destruction when my husband and others made trips there. I simply wasn’t ready. This allowed me to create an untouchable cabin tableau in which every corner of my mind is filled with sentimental objects from a century of family life. This included family quilts, even the one we once huddled under after we first made love in his college apartment. In the corner was an irreplaceable handmade cajon my husband bought on the street in Havana from a Cuban drummer, and the walls were covered with maps of the area and original art created by friends. All alive now, preserved only my memory. Beautiful and inviolate forever.

Last weekend I finally returned to the burn. When we arrived at the knoll that once held our summer home, the sky was open and the nearby mountaintops were suddenly visible, a new backdrop to the mass graves of piled logs. Instead of being flattened by a sense of emptiness and loss as I had expected, I stepped into a familiar and soothing refrain: the buzzing and bumbling of dragonflies and horseflies, competing with jays and crows for airtime. Purple fireweed heathered all the clearings, their cheerfulness broken by black horizontal stripes of fallen wooden soldiers.

I looked up to see the shell of a tall tree that had once been the best view from our outhouse, as it stood tall pointing to the stars and moon. It was still vertical. Remembering how I once piled stones there, I reached down to find a sleek river rock, once black and now a mottled red. It was hot. I stood quietly, in awe of the power of fire, whether from the sun or wildfire. Ghosts of old growth cedar and yew and spruce and fir stood in silent sentry around us, witnesses of an older order.  There was some solace in the sheer force of destruction.

in the middle of the scene was a giant redwood snag I had called the Grandmother. She had been my mentor, my elder, my friend and meditation teacher for 17 years.I even introduced her to my real-life mother. Each time I had arrived at the cabin and each time I left, I had greeted her, honored her enormous life cycle, noticed how she was leaning but still unbowed, sheltering frilly ferns and thick moss at her base. And here now just beyond the clearing she leaned, her bark whitened above the flame mark, and yet her roots still held firm, deeply connected in the earth.

The deep well of destruction. The buzzing sounds of creation. All of this held in the enormity of a moment of Silence.

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Fireweed Dance

Yesterday I hobnobbed with ghosts,

danced on the grave of the ancient forest,

trucked with shadows from the trees. 

I did the fireweed dance 

The mullein dance, the dragonfly dance

On that place where something else once stood.

And then

 

for a still moment there was and there wasn’t

an absence of anything,

even that cabin with the shaky floors 

and the stained-glass skylights

once dwarfed by forest giants

now eloped, fused together forever

carried away 

by the mountain wind 

— SgB 2023

 

Seeking Space for Solitude

Dear Friends,
 
As we enter a post-lockdown world, many folks are ready to make up for lost time in the social whirl. But if you’re finding it difficult to reconnect with the demands of the interactive human world, you’re not alone. Literally. A lack of personal space or forced togetherness has been tough on everyone, but the reality is that for some it has been harder than for others because (newsflash) we’re all different. Just as most humans crave connection, others long for a permeable membrane so that they won’t lose touch with that quiet inner voice they hear best in solitude. Hello Neurodiversity. If you’re in the last group, I suggest you read The Divergent Mind (see below) to help you understand youOSU Pillows Lightsr introverted or sensitive self. Then start where you are. Claim a space (or a time) wherever you are to ground and center. Even a small corner of your apartment or bedroom works to start. Check out ideas and links here to create a virtualMindSpa:” (with thanks to Oregon State University’s CAPS program). Later, as you move into new or bigger spaces, you may find the idea has expanded, as it did for me.
 
A Room of One’s Own. When I was a mother of young children with a marriage in tatters, the title of Virginia Woolf’s 1929 manifesto began to haunt me. My little corner of the bedroom no longer offered the precious personal space I needed. I claimed one of the tiny bedrooms in our ranch house as my own space, with an actual door. I remember painting it white against all advice. It looked more like a padded cell than a retreat space, which is just what I needed at the time. While the children grew, I began imagining a third life stage, when I’d vanish into a cave in India or commit to a simple life inside a Carmelite monastery cell. While other mothers fantasized about dealing blackjack in Vegas, I saw myself as an Anchorite, like those nuns in the middle ages who stayed in place, praying for divine wisdom, advising pilgrims who came to them with a word or a verse. I continued to long for solitude even as I was (mostly) enjoying a sweet life with family and community.
 
A Room of One’s Own. Twenty years later I headed over to a monastery to check it out. Eventually I trained as an ecumenical “spiritual director,” which involved little directing and a lot of listening. I claimed our little garden room as my Oasis, and I began to invite a few people, one at a time, to listen to the fountain and to smell the jasmine, to engage in inquiry and conversation. I created an online landing place. And presto. I was an anchorite without leaving home. This oasis is still the perfect setting for early morning meditation, but there’s enough clanging and banging in everyday life that my very distractible inner monkey has been having a field day. Listening to that still small voice took more and more uninterrupted time.
 
A Room of One’s Own. Then along came the many-tentacled pandemic. As we sheltered in place, the refrain returned, this time like a desperate shriek during the togetherness time of the lockdown. I was in luck. A couple of years ago, we cleared out our bike shed and turned it into a tiny “she shed’ where my nomadic daughter could land between musical tours. Covid brought her home and moved her into her own place of her own. And the space became vacant. You can see where this is going. I now have a separate space of my own, a place to retreat and write and listen to the precious uninterrupted voice of solitude. A Housie of My own.
 
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In the middle of current real estate craziness, this may not be on your immediate horizon. But you can start where you are. A corner can become a room can become an oasis can become a housie.
 
It all starts with listening and tiny little steps.
 
Love from the Housie, 
 
Susan Grace
 
Divergent MindThe Divergent Mind:
A game changer. You may have missed the memo since this ground-breaking book was released on the exact day of the first lockdown in the spring of 2020. This well-researched book has given me a deeper understanding of my own nature and the ways of many of my clients. It’s also helpful in explaining to friends and family the neurological differences those of us who are highly sensitive or introverted often struggle to find the words to communicate for ourselves. 
 

Hope is a Thing with Feathers

Aloha, Dear Friends!
 
Looking out the window at the flowering cherry outside this morning, my mind goes back to this exact scene a year ago. The view is the same, but the feeling is so different. Today spring’s birdsong reminds me of a memory tucked away in the folds of this old but durable brain. I hear the words of Marcus Borg, a mentor and religious scholar who helped me to rediscover my Christian roots. One Sunday he was speaking of the Holy Spirit, which I’d never had much use for before, although I often thought of myself as a Spiritual Person. 
 
His words resonate even more today: As you watch for the face of the Holy Spirit, be quiet. Patient. Like a bird watcher longing to see a rare and shy bird. I was immediately taken with the image, and it has visited me often since then. I’ve found it immensely comforting to allow that bird into my heart when I’ve felt overwhelmed by my own dark nights or by the newest examples of human ignorance or evil. (It probably goes without saying that this past year it’s become an almost constant companion.)
 
But I’ve learned again and again that the shy bird of soulful comfort will not show up at my command. This is one of the biggest takeaways from my year: love, faith, and hope cannot be stalked. They reveal themselves in their own ways, peeking out of the brush of everyday life, usually accompanied by acts of mercy or kindness. I’ve learned to be a little more still and to patiently watch, with an eye out for tenderness. 
 
Hope is a Thing with Feathers. Emily Dickinson’s poem has been with me this spring. And her words keep coming back to warm me in this chilliest of lands. And today while hiking, what showed up? A Thing with Feathers. A beautiful soft bird’s nest woven of grass and softened with white and speckled feathers. Enough already, I thought. And so I share this photo and Dickinson’s poem with you today, in recognition of the beauty of synchronicity, my favorite poet, and National Poetry Month.
 
May that bird with feathers perch more and more often just outside your window. May your heart be filled with the power of hope. May you be blessed and healed as we find our ways back to each other…one bird at time.
 
With love,
Susan Grace Beekman
 
 
Hope is the thing with feathers
That perches in the soul 
And sings the tune without the words,
And never stops at all.
 
And sweetest in the gale is heard
And sore must be the storm
That could abash the little bird
That kept so many warm.
 
I’ve heard it in the chilliest land
And on the strangest sea
Yet never, in extremity,
It asked a crumb of me.
 
~Emily Dickinson

The Grandmother Stands

For the last couple of decades my family has owned a cabin in the old growth forest of the Pacific Northwest, less than two hours from our home. Whenever the speed of life was too much it was always there for us. Our refuge. When the weather was right, in the early mornings, I’d wrap up, sit outside the many-paned windows, and take in the forest. In the center rose an ancient red cedar snag, undisturbed by the hemlock, cedar and fir upstarts, all less than a hundred years old, who all seemed to gather around her. I named her Grandmother Snag. Every time I sat, there she was. I began to think of her as my own private Natural Wonder. And then, a few months ago, our cabin and the surrounding forest were wiped out by a fire that sped through the valley at speeds over 60 miles per hour. 

As the news rolled in, confirmed by drone reports, we knew that all the family mementos and irreplaceable instruments had succumbed to flames. Somehow this mattered less when I imagined the Grandmother Snag there, holding fast to the hillside, surviving even this devastation. I wrote a poem about her. I poured over the drone footage and asked witnesses if they’d seen her, joking but slightly hopeful still. As the small community tallied and mourned our losses, the reality of destruction was too enormous for me to bring up my fanciful image of one snag.  

Then last week, five months after the fire, my husband Geo was finally able to enter the hazardous area to see what remained. We were told to expect little, which turned out to be a falsely optimistic prediction. The entire old forest was gone, along with more than 70 cabins in the valley. Damaged and dangerous trees had been felled and stacked and now lined the rutted and muddy road, sometimes twenty feet high. Only ribbons of twisted metal and a lone fireplace remained, along with two stove boxes.  Two perfect bicycles were melted to sprockets. A fire-blistered propane tank somehow hadn’t exploded, and a once-green metal outdoor table with four chairs sat rusting, waiting for some human company.

George brought home one box of melted remains: a Kokopele metal plaque, a dragonfly door knocker, the remainders of vintage Mary Poppins lunchbox, melted like a Dali clock. Then a couple of weeks ago he surprised me with a Valentine’s gift: a family photo of sorts, one he had taken at my meditation site. In the middle of the blackened forest hillside only one landmark remained. And there she was. Tilted to a 45 degree angle, but firmly and deeply rooted in the forest floor. Charred and bent but not broken. Grandmother Snag. 

Grandmother Snag 2021

 

 

 

 

Up in Smoke: An Inventory

1 outdoor pit toilet with peeling door
1 sixty-year old gingerbread cabin 
2 decks, shaky floors, 
5 beds, and games and drums for a crew
1 hand-hewn ladder to a skylit loft,
1 retirement clock
1 white and robin-blue wedding quilt 
signed by your grandmother.
1 bluejeans and corduroy quilt 
hand tied by your mother, 
that one that covered us that first time we slept together.
All remnants of all fifty years gone with the spiraling and swooping
cleansing fire of our last anniversary,

 And also: 2 bay windows opening to 
18 species of tree,
Uncountable rampant lichen and fern. 
An entire ground floor of deep moss
Greenest quiet of ancient forest mornings 
The pale sun lighting Grandmother Snag,
Red orange indigo scrubbing the emerald floor. 
Long walks on rivers in the fullness of forest
Infinitely star rich nights with music and friends, 
Beyond fire and smoke.
Beyond time.

Remembering the Inner Sanctum

6 am. November 10th. Silence. Solitude.

I creep around my room in the worshipful dark, lighting beeswax candles and placing the last of the season’s peach dahlias on the windowsill altar. The first real fog of the season has newly landed on the hills outside the window.

For this moment, before the fog lifts, I embrace this inner sanctum. 

There’s a big breath and a sigh as I surrender to a deeper peace than I have felt for months.

I create a little altar for the family cabin which burned to the ground on Labor Day:

Altar to Breitenbush cabin
And then I remember what I’ve forgotten during the tumult and strife of recent life. Something ancient and deep and comforting. A peace that has been here all along, beneath the screaming headlines and the pandemic fear. And like a spell has been broken, here I am, with all my parts. I am Re-membered.

The Remembering Thing is big enough to be the basis of ritual in nearly every world religion. It’s the prime directive that enables the words of sages to resonate through the ages.

I understand this now in a whole new way. So much is forgotten when I’m in reactivity, no matter what spiritual tools I use to maintain peace of mind. And so, today, this morning, I’m welcoming myself back home with an act of remembrance, perhaps as simple as lighting a candle. Or creating a little altar to remember something I loved and lost.

Because fall is the time for remembering what we have, what we’ve lost, and what is never truly gone. 

Join me?

SgB

 

Breitenbush Hot Springs Sanctuary

Breitenbush Hot Springs Sanctuary from Trip Advisor/HappyMunching

Poem: “Sanctuary”
(for Breitenbush, 2020 )
They say the firestorm took the Sanctuary.
The vaulted wooden arches, the soft carpet
built to receive the deep bows of a child,
windows opening to the sound of
roaring river in the gully below.
The setting small enough for quiet whispers
Or the sound of voices meeting voices in song
Yet big enough for rampant drumming,
under tall tall trees and blue bowl sky.

Here this winter morning,
within this home sanctuary,
the big beyond exposes herself,
draped not in smoke but only a mauve whisp of cloud.
Here the slow dawn reveals
glimpses of the great beauty.
Here candles greet morning light, 
gently waking up the far hillside.
And love of what was shines bright,
Tucked close in this heart 
and in little altars Everywhere.    

A Remedy for Blindness: Kindness

Since I’m in a state and county with very low COVID-19 numbers, and since I’m in a category both privileged and protected, I’ve had a luxury of contemplative time for self-reflection. What has emerged is a much deeper understanding of the power of the question, especially when it comes to my own thinking filters.

My whole life I’ve been someplace between intrigued and obsessed with questions. Life’s Big Questions. Living the Questions. 4 Questions and Turnarounds.  My favorite question of all? “What am I not seeing or noticing?”  This one is especially challenging, since the part of me that would usually answer is so unaware that it can’t see through the fog.

Months ago, when the pandemic hit, I asked my favorite question. I began to see how little I knew about everything from COVID-19 to the future. This was humbling but not personal, since we were (and are) all in this together. But when the pandemic of racism exposed itself for all the world to see, I began to realize how very many blind spots I had. And this time the cost, to others and myself, has been personal.

The past month I’ve been taking a deep dive to look at what I’ve been missing, with the help of some excellent books and films and videos. I’ve taken care to dose myself with self-compassion as I go about discovering everything I haven’t been able to see until now. This kindness has taught me my own innocence. It has taught me to keep going. To ask another question: What do I do now that I know? This is a question I’m still living with. The first clear answer came today. I’m sending this to you, my friends, with a list of my most educational and inspiring discoveries so far.

May these assist you in your own updates. And don’t forget to serve yourself a generous portion of kindness as you go.

Love In, Peace Out,

SgB

See No StrangerSee No Stranger: A Memoir and Manifesto of Revolutionary Love by Valaurie Kaur

Kaur’s TED Talk: 3 Lessons of Revolutionary Love in a Time of Rage

 

Mindful of race Ruth KingMindful of Race by Ruth King

Sharon Salzberg interview with Ruth King: Sharon Salzberg has long been known for her approachable style and for bringing Metta Meditation (or Loving Kindness Meditation) to the West. In this podcast, Sharon interviews Ruth King on her work with mindfulness, racial conditioning, and justice.

Van Jones on Racial JusticeVan Jones on Racial Justice (Youtube): “A continent of new common ground has emerged and we don’t know what it is…” A moving five-minute clip about the meaning of these moments.

Films: Selma, 13, Just Mercy, Malcolm X, The Hate You Give, Do the Right Thing. An avid Film Femme, these are among my favorite power tools for self-education.

Biding & Abiding

It’s scary! It’s a mystery! It’s Novel! These billboards of the mind have captivated me for two months of living in this apocalyptic sci-fi thriller. Collecting silver linings has kept me sane. So has connecting with other people, whether it’s with a wave or a Zoom, or a goofy quarantine video with Suz Doyle & friends. And then there’s the infinitely challenging practice of remembering again and again to look at what’s right in front of me. The cherry blossoms which cycle from bud to blossom to fruit right outside. The seed sprouts in the kitchen window. One step at a time, focused on noticing when I go too far into the future, or “borrow trouble”, as my dear 97-year-old friend Anna Marie tells me on Facetime, locked down in her wonderful nursing home.
 
I’ve been a good sport about everything in this interim world, tried to help out where I can and to “keep myself safe.” After all, most of the immediate casualties of the viral war are far away, so far, I think. But as time goes on, the novelty of the challenge starts to wear off. A voice keeps saying: Job well done! Now, where were we? Time to return to normal!  I’m just now beginning to realize that I’ve mostly been biding my time since this all began. As if everything will return to The World Before. Part of me has been patiently holding her breath and waiting for that to happen. I wrote a poem about that (see below). At this time of life, instead of going out and kissing strangers on the mouth, I put myself in a little Time Out.
 
Or Time In. There’s a luxury of time now to read a poem or write myself into deeper understanding. Time to read from an inspired or a sacred text or a book of meditations. Time to pray. Words from a hymn from my childhood come: Abide with Me. I go straight to YouTube, and there’s a clear voice (Audrey Assad), sweet and beautiful, singing the old, bittersweet melody, still healing and relevant to many stricken by the virus.
 
And I take the only path that brings me home. The choice to truly abide in all of it, with and without the silver linings. This is the new life, I think. A life of holding close to the slowing, the staying, to the world as it appears to be, ever greener and bluer and full of daily miracles. More words come unbidden, like the ink dripping from my pen. And that poem is still being written.
 
May we all learn new ways of Abiding together.

SgB

 

Biding

This complicated engine parks at the station,  
And we wait for some signal of what’s coming
from some far distance.
I hear birdsong and not sirens
Count calendar days and not the stricken.
One of the lucky and protected ones,
I take the measure of life at full stop.
I feel the pulse of relief inside the fear.
I always wanted to slow down, I think
As I light a candle. Sigh once and twice.

But the body count mounts, somewhere far away.
Shaking up attempts at sleep, jumbling dreams
This too will pass, I think
As I stir the soup, feed the starter, make the brownies,
Help with masks, ride the bike, trek into the stars.
I’ll bide my time. Wait this thing out, I think
But this doesn’t keep it from coming
straight at me, a ghost stalking silently in ever closer circles.

Distraction is best, I think.
I stir the soup, write the check, eat the brownies,
Walk the body, Zoom the friends, wear the mask. Plant the seeds.
This will be over soon, I think, waiting and biding away.
But I long to get these hands good and dirty,
to go out and hug strangers,
maybe even kiss them on the mouth.

Mermaid Life / Walrus Life

Always Be Yourself, Unless You Can Be a Mermaid.
Then Always Be a Mermaid.

Every morning these words, carved on a plaque directly across from my meditation space, greet me. I’m in my Ocean room, a space dedicated to my Orisha, Yemaya. Some explanation: In 2003, I visited Cuba to learn about Afro-Cuban folklore and music. While there, I discovered Orishas, archetypal guardian spirits who guide your life, according to the Santeria faith. Curious about who my archetypal fairy godmother might be, I requested a formal divination. I met with three Babalaos (or priests), who chanted and tossed black and white stones on the floor. After some discussion, their conclusion was unanimous: Yemaya, the ocean. My Orisha.  

Returning home and sponge-painting a room blue to create an underwater cove, I remembered the Santeria priests’ warning. Yemaya must have an anchor. In the mythology, her other half is Okulun, who lives in the deepest part of the ocean. Unseen, he anchors her so the waves don’t tip her over. Since then, every time I go near the ocean I take a small blue jar of water with a tiny anchor inside. In a tiny private ritual, I fill it with ocean water and take it home to place on my altar.

Also in my meditation space is an altar with objects that serve as totems, or wayfinding symbols to take me back to my essential self. When I light a candle, I see the blue bottle and I’m reminded to be anchored in the mystery of that which cannot be seen. I often see meditation as a time to dip into a watery, less linear state of mind. It helps me remember a different self than the one who navigates the daylight world and reacts to the challenges served up by everyday land-bound reality.

In that dreamy underworld space, I can swim with purposeful abandon, gracefully flip my mermaid tail and dive to clean underwater castles and shipwrecks. My inner life as a mermaid is pristine, uncluttered with daily compromises and responsibilities. I treasure this mermaid world. It’s a place where I can commune with the ineffable essence of the deep unknown and still stay anchored to my inner world with equanimity. But then there are the twists and turns that real life brings up. The troubling feelings and thoughts that keep coming back for examination, requiring a look at less charming aspects of my inner life.

That’s where the walrus Walrus comes in. Long ago in Anchorage, I spent hours in a tourist shop seeking a totem, a “power animal” to call my name. My eyes kept coming back to a tiny walrus, carved from ivory tusk. This attraction definitely wasn’t what I’d planned. I had in mind something sleek (say, a wolf) or something sturdy (like a bear or a moose, even). Definitely not a large, blubbery animal who’s mostly stationary.  

But there she was, refusing to let go of my imagination. I bought the tiny icon and brought it home. Then I did a little pre-Google research on walruses.  They feed in the mud and muck, excavating for their food by using their extremely sensitive whiskers, “mustacial vibrissae,” as detection devices. I can relate to that, I thought as I placed my tiny totem on a small craggy rock on my altar. And there she has perched for thirty years. A reminder of the nutrition to be gained from the darker challenges that life offers.  Over time I have been reminded that what is pretty or acceptable or even graceful or fun may not take me to my deepest truth. My walrus amulet reminds me to be brave and to learn to have compassion for less attractive or appealing parts of myself.

She serves as a reminder that, as much as I love the pretty mermaid dive, sometimes her song may be a distraction fueled by denial.  Over time I’ve learned to trust something I think of as the walrus dive. I’ve learned to value shadow work, which has taken me into (and through) the troubling, ugly, unacceptable things in the world and in myself. Through extensive inquiry, I’ve discovered that even the pettiest or most troubling thoughts and feelings deserve respect.  The walrus world may not be as pretty or pristine as my imaginary mermaid world. But when I dive into the muck and messiness of my thinking, I often discover the innocence of even the darkest recesses of the psyche,  I return feeling truly anchored in the truth and kindness of the deepest mystery.

Between the Living and the Dead

The Halloween fear factor stopped grabbing my attention years ago. Adrenaline shows up enough in my life at irregular intervals without my courting it. The allure of tiny candy bars and packages of promising an immediate sugar lift has taken a little longer. But I’ve known for a long time that there’s something even more primal than cortisol and sugar about this time of year.

The slant of light. The rapid encroaching darkness. The allure of a good bonfire. It’s bone deep. And so for a while I‘ve settled into Celtic New Year or Samhain, which better fits the feel of the season for me. Bonfires. Pumpkins. This ancient pagan tradition honors the thin veil between the living and the dead, and it also falls exactly between Fall Equinox and Winter Solstice on Oct. 31st. It’s a time when the mysterious space between the two reveals itself. The next day, All Soul’s Day, in many Christian traditions, a time to pray for the dead. I’ve done all of the above.

For many years I’ve heard about The Day of the Dead in Mexico. I love the Mexican people. I loved the Coco movie. I’ve been particularly intrigued for a long time by the indigenous cultures in southern Mexico. Then a few weeks ago a friend offered us his place in Oaxaca, Mexico next week for the festivities. It’s a city full of art, life beauty. So how could I say no Muertos?  I’m delighted as a metaphysical tourist, but I’m intrigued at a much deeper level.

Lately my life has been reminding me of the encroachment of the ultimate Mystery, as loved ones leaving this world one by one. My brother. A beloved healer and friend. There’s a sense of loss and grief and then a wondering. The numinous space between worlds has beckoned in recent poems I’ve been writing,. Some of my buddies have called them my “Bardo poems.”  (In Buddhism, Bardo refers to the transitional or liminal state between death and rebirth).  

And so next week I’m extending my curiosity about the season celebrating the living and the dead by traveling south to Oaxaca City to share in the joyous reunion of families. We plan to walk in cemeteries, appreciating the beautiful connection between families alive and their departed. I plan to admire the beauty of the family ofrendas and build one for my own dearly departed.

There’s a certain soft, numinous beauty in anticipating it all. To be continued…as life and death seem to just keep playing on the edges of my everyday reality.

A Birthday Madrone & A Manicure

I keep forgetting and remembering and forgetting everything I know to be true. In the rapid flow of things, keeping track of habits that no longer serve me is often beyond my mindfulness capacity. But when I take time out of my life to slow things down, an insight almost always emerges that allows me to remember again.  And so for many years I’ve used my mid-summer birthday to do just that. This year I indulged myself in an introvert’s delight: a (mostly) silent retreat dedicated to quieting down.

I joined a very small group of women, blanketing ourselves in meditation and yoga and nature.  I took slow walks, determined to  steer my thinking back to these things: A lake. A hillside of rhododendrons. A blue ceiling peeks through the giant fir and cedar trees. But it was a little madrone tree that caught my attention.

The Pacific Madrone is native to a small swath of the Pacific Northwest, so it’s a bit exotic to a not-native Oregonian. At first I was struck by its sheer beauty, its shedding paper-like layers exposing a rainbow in a natural palette. As I stood in quietude, I reflected on the layers and layers of life I have lived in the last seven decades, the last fifty years of marriage, the last forty years of householding and family. The papery bark was splintered and worn, even more beautiful contrasted against other times, other layers.

Then I learned that the madrone sheds its bark every other year, and I wondered whether this was its birthday. As I walked along, I came across another tree, a smaller and older one, with a grey body and leafless limbs. I looked closer. Inside the carcass a hardy green stem was volunteering. Soon the old limb would fall away to make way for the vital green center. Life was already beginning to renew itself.  I stood still for a few minutes, my mind further silenced by the Way of Things.

In the days that have followed, returning to this everyday world, I have forgotten and remembered and forgotten many of the things I learned. But the beauty of those layers and the brilliance of the green core of life have stayed with me. I begin again, a little shabby from wear, but retreaded and ready for the next year.

But just for good measure, when I return to my everyday life, I take myself out for a manicure and pedicure. I quietly celebrate the layers I continue to shed, and I choose a color that reminds me of the newness waiting to be discovered.  For a time, these often-busy hands will remind me of what I might forget.