When I was a preteen, I loved visiting all four of my grandparents the rural town of Sweet Springs, MO. An active farming community, there was room enough to test my wings and my understanding of how a simpler world worked. My favorite place was a teenage hang-out called the Sweet Shop, a genuine fifties-style jitterbug place, still alive in the early sixties. Yesterday I drove through the town, and all the edifices are crumbling around the ghosts of my past, but the memories are still alive. During these “wonder” years I had enough time to create memories and enough brain space to give them permanent residency.
I also celebrated my fiftieth high school reunion last weekend at my real home town of Columbia. A large group of 200 or more showed up. We had a few memories in common, but mostly, we were all the same age, even though a neutral observer who was forced to guess might assume a twenty year range. Words from Ann Patchett’s book Commonwealth cycled through my mind: He was as old as the rest of them, but age arrived at different rates of speed, in different ways.
My friend Vicki shared her Sweet Spot theory, wise and worth sharing here. “There are three basic components of life: time, money, and health. When you’re young, you have lots of time and health but no money. During adulthood, as you create your life, there’s money (assuming you find a good job/career) and you’re healthy, but you have no time. Then, if you’ve planned ahead and have good fortune, there are some years where you have time, money and health. This is the sweet spot. (These are the years of early “retirement.”)
I’m fortunate enough to be able to see the truth in her words. And I want to be aware enough to remember the elusive sweetness of this moment in time, in my life. Most of my disturbing thoughts and memories have been put to rest. I’ve discovered, as Patchett says, “There’s a pleasure in a long life, the way some things work themselves out.”
And what is left can only be described as sweet.
Image by Chinese World Hotel, Beijing, used under CC-BY-SA-3.0
Today I’m packing for a pilgrimage back to the Midwest. First, I’ll be connecting with lifelong friends at a big number high school reunion. There’s always news at these events, but mostly it’s a simple celebration that we’ve made it through life’s obstacle fields and we’re still here.
As I put my turquoise shoes into the suitcase, my 87-year-old mother is already with me. She’s the biggest reason for the trip. Living far away from her as her memory fades, I’m reminded of a line of a poem by Lyn Lifshin: She was like a kite whose string I’d lost hold of, getting smaller and smaller.
I’ve been feeling a bit untethered myself lately, living halfway across the country from her. So this trip I want to remember every minute the gift it is to spend any time together. We have so few opportunities left. This brings me to the subject of shoes. They’re the one thing that’s guaranteed to tether us to the present moment, to strengthen that string. Last spring, my mother fell in love with the very shoes I just packed. I mean serious love. These love affairs run deep in our blood, a part of our ancestral lineage.
Or it could be that it’s a little vein of rebellion within our sturdy German peasant ancestry. My German-speaking great grandmother wore black lace-up oxford heels, a style that looks far more chic on models in magazines now than they did worn with her cotton stockings. Her mother was “Grossie” and as a child I thought this was a mean comment about how she looked in the photos, in dowdy flower prints and crocheted collars and lace-up boots. I later found out the name was commonly used in the German farming community as a form of respect.
My grandmother, her daughter, bought shoes of every color and style to show off her slender legs and ankles. We all called her Imelda, especially when we were packing up her pumps and heels in every style and color. Vanity was something she never surrendered during her ninety-plus years.
My mother should wear Mary Janes or tennis shoes that she can count on as she pushes her walker. But she’s not satisfied with these when I visit. Lately she’s insisted on getting exact copies, in style and color, of whatever shoe I’m wearing. Tan sandals with ankle straps, red slip-on wedges. Without the support at her arches, they fall…or she does, which might mean the dreaded breaking of a hip and all that entails at her stage of the game.
I’m torn between practicality and pampering as I think of savoring the time we have together. So maybe during this visit I’ll wear straps and laces, red, purple, or pale, pale yellow. And maybe we’ll take a long, slow jaunt to her favorite shoe store and look for some turquoise.
It’s officially Autumn. The slanted light cuts through the sky to wash the world in gold. This year, more than many others, I’m remembering to stop and notice. It’s easy for mind to get tangled in the muck of the newsfeed . Sometimes it takes all I have to remember what’s right in front of me. But the other day I stood as a friend dug up root vegetables from the soil, where they were growing tucked into the dark.
I decided to stay focused on what’s in front of me (as opposed to the stories in my head: the latest tweet or outrageousness to emerge from the news). At first look, the clump of dry brown dirt was kind of ugly, just like so many of my stressful beliefs about how things aren’t right. But (I reminded myself) my job was to watch. And it seemed like these particular carrots gradually appeared to remind me of something important. Of hope. I wrote this right afterwards:
It doesn’t take a lot of watching for the beautiful, gnarled, brilliance of carrot to Become.
What happens below the soil line in the depths of the darkness is an alchemy that we come to trust.
When the swollen roots are unearthed, sheathed in dirt still, even then the miracle of beauty remains hidden.
In a handful of dirt and a few undefined rheumatoid clumps.
But beneath that ugly surface there they are: waiting safely until the time is right,
until the right hand comes along that will carry them to light, to water, who will dice through their tender hearts and reveal
the glowing fuse at the miraculous center of life.
Here on the planet floor, all the particular somethings of an autumn morning beckon me to stay here, now:
chipmunk balancing on snowberry bush, fawn tiptoeing through the green ferns, even a prayer of a very specific bird in flight.
Mind catalogues the beauty, the metaphors.
And how high would I need to rise to find the answer to the riddle of grave importance:
Where does something stop and nothing begin?
Above the clouds, I think.
Above the thoughts of species or meaning, I think.
Or don’t think.
Because now that I’m at this rarefied altitude maybe thought will fall away. So what of it?
Without thought, in this tall distance, I approach the intersection of Something and Nothing.
Here, without context, is the true Final Frontier.
I move in the spaciousness of Nothing.
Of not knowing, not imagining a future or a memory of past.
I float lightly in the freedom of space. Not just above but below, around this moment and leading to the farthest stars.
This is the Tall Distance I’m not thinking about now.
Very high. Fat. Open horizon.
Where nothing is no longer ignored but embraced.
In an opening this large
Anything is born of absolute and sacred freedom.